At that time, I thought they were great because they had an amazing impulse behavior and reach down to 40 Hz. Starting point of my search was the Event Opal with which I worked for about 3 years. They should simply play back the pure sound content of the record. What did you watch out for and what was of most importance to in your selection? Also compare directly with the products of the other manufacturers.Īctually, the ATC „SCM 50 ASL Pro“ attracted my attention rather accidentally… But let’s start at the beginning: basically, it was very important to me for the speakers to produce a good sound – pretty obvious. Just as long as the take-back deadline of the retail store allowed it □ģ. ![]() In total, I have dealt with six other speakers more closely:Īltogether, the tests extended over a period of about one month. How many speakers did you test in which period of time before you came to a decision? As well as an on board grounded source 350W Tri-amp pack, LF contour control and clip indication.Ģ. Not too many manufacturers do that.Īs technical hardfacts there are: a 25mm soft dome tweeter, a full “SL” spec 9˝/234mm bass driver and the ATC 75mm “Super Dome” mid driver. The membrane of the chassis in the soft dome has been replaced by a fabric. It’s about the„SCM 50 ASL Pro“ speakers by ATC, a British manufacturer who is quite famous for his soft dome midrange driver, which was already built in the seventies and continually refined since then. Shortly describe the speakers, from which manufacturer they are and list the technical hardfacts. Read on to see what was importand to him and why the “ATC SCM50ASL PRO” speaker won the race.ġ. BOOM Sound Designer Michael Schwendler has extensively tested some speakers for his new studio.
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